Friday, 28 October 2011

started editing

Today we began editing our piece. Which involved logging and capturing before bring and cutting clips in the timeline.

Thursday, 27 October 2011

Edle shoot

Today was our filming for the Edale shoot. personally i feel that although we were let down by poor weather conditions forcing a darker feel than intended the overall technical aspects went excellent. i feel our actor performed appropriately for the silliness of the piece. i am also disappointed I was unable to find walking boots that were of a good enough size for our actor and was therefore forced to wear trainers.

release form

Tuesday, 25 October 2011

storyboards










Here are the storyboards that we made by me and Emma (Emma drew them I supervised. The first three were rough drafts of what we had planned however the ones that follow are the ones we actually used.


Followed
By
Emma Tackney and Alex Coates
















Alex Coates
2 Fidler Close
Bamford
Derbyshire
S33 0BZ
Phone Number: 01433 6500 52
Email Address: alexcoates1793@aol.com

FADE IN:
EXT. EDALE VILLAGE- MORNING
A man is walking past a sign for Edale. He is blonde with a normal but slightly innocent looking face. He is wearing a coat and jeans and an old pair of shoes. A rucksack is placed upon his back as he walks in his tattered pair of shoes.
He sees a shop and decides to walk in.
FADE OUT

FADE BACK IN
We see him walking out of the shop wearing nice looking shoes and the old ones in his hands. He then proceeds to walk to a bin and puts the shoes in the bin. From there he walks down the street contently.

EXT. THE COUNTRYSIDE NEAR EDALE-MORNING
As he is walking down the path happily, he walks past the camera revealing that behind him is the old pair of shoes. He continues on in this fashion not noticing the shoes as they are on top of rocks, hiding in bushes, generally being sneaky.
Walking along, the shoes have managed to overtake him and he notices them staring at him. He stares at them, a little freaked out but thinks its a coincidence and continues on with his travels
Later on he sees the shoes again. More scared, he quickly walks around the shoes and carries on going.

EXT. BEAUTY SPOT
He finds a small beauty spot and gets his lunch out. From here he continues to eat his lunch putting the sandwich and drink out. He turns away to appreciate the scenery and turns back to notice that the drink has been spilt and there’s a footprint in the sandwich. To which he then notices that near him are the pair of shoes he’s been avoiding.
He stares at the shoes and the shoes stare back.
Alarmed he picks the shoes up and throws them in a panicked fashion. He then packs up and runs towards the path. As he runs he notices the shoes all around him stalking him. Running, he manages to trip and he stares back to see that one of the 2 shoes has tripped him up he looks back and the other shoe is in front of his face.
Getting up, he picks up both shoes and stares at them wondering what they want. Feeling guilty about his old shoes fate, he changes the shoes and wears his old shoes leaving the new shoes he just worn on the path.
He continues walking
Zooming in at a weird angle it shows the new shoes in a weird light, making them evil looking.
And then straight back to him walking and you see instead of one pair of footprints there is two pairs of footprints.
END






Treatment

Treatment

The film starts with the rambler walking through the beautiful area of Edale, he walks past a sign to confirm this before walking into a shop. We see him grab a pair of shoes out of a shoebox before walking outside and putting his old shoes in the bin. As he walks through the village he notices the same pair of shoes seem to be following him. Freaked out by this the rambler throws the shoes and runs away. Calming down the rambler decides to have his lunch whilst taking a drink from said lunch he looks down to see a shoeprint on his sandwich terrified the rambler runs away only to be tripped up by the shoes. Defeated the rambler decides to change back into his old shoes and leave the new ones behind. 

Monday, 24 October 2011

actor casted

Today I was able to acquire an actor for our piece I fear he may be a little young but this is not a large issue. he has previous acting experience which i hope will make him confident in front of the camera.

call sheet

Call  Sheet
Production: N/A Shooting  Day: 1
Producer/PM: Alex Coates Date: 27/10/2011
Director: Emma Tackney Crew  Call: all
Asst.  Director: Alex Coates
                              SET SCENES PAGES         CAST  NOS. LOCATION
Edale 1 2 Dan Hipwell Edale
NO. CAST  MEMBER              PART  OF    MAKE-UP SET  CALL REMARKS
Dan Hipwell N/A 10:45
     ATMOSPHERE  &  STANDINS                      PROPS          SPECIAL  INSTRUCTIONS  
Shoes
Shoe box
  OTHER  CALL  TIMES: VEHICLES  &  OTHER:
Director 10:47 Camera 10:45
First  A.D. 10:47 Sound N/A
Second  A.D. N/A Grips N/A
Prod.  Asst. 10:47 Electric N/A
Craft  Services N/A Art  Dept. N/A
Script  Supr. 10:47 Make-up N/A
Dir.  of  Photo 10:47 Wardrobe N/A
CHANGES  AND  OTHER  INFO:

Saturday, 22 October 2011

research into shoes

As shoes are a large part of the piece I felt that it would be important to research into the shoes that ramblers wear. simply searching "rambling shoes" however only gives results involving trainers. searching "walking boots" however does give results of better quality I hope to find shoes similar to these for our actor to wear.

Friday, 21 October 2011

first brainstorm

Today me and emma considered the plot of our piece as I had visited Edale before as it is close by to where I live I was able to use my experience of the area to come up with ideas. It occurred to me rather quickly that Edale and the surrounding area see a lot of ramblers and this may be a good starting point for ideas. I feel that i piece about shoes and what a pair of rambling shoes go through could lead to some interesting narrative and camera shots.

Thursday, 20 October 2011

schedule of Edale project

schedule
9:45 meet at train station 
10:14 train station 
10:47 arrive at Edale
10:50 meet dan the man hipwell
11:00 pre-shoot briefing 
11:15 Go to a sign that says edale
11:30 film the sign the says edale
11:40 film shots of dan walking around
12:20 lunch
12:50 film sandwich footprint scenes
1:15 dan running away from shoes
1:45 dan trips 
2:15 dan gives up on shoes
2:45 shoe shop scene
3:00 break
3:15 him noticing shoes stalking him, so scenes of him walking past shoes in the background
3:45 filming of him throwing and running away from shoes (again)
4:15 close up of the shoes
4:35 dan puts shoes in bin
4:45 shoes perspective of dan a running
5:00 go back to rambler pub

Thursday, 13 October 2011

On the 12th of October we were asked to write a blog report on one of the Dramas we had watched in the creative media seminar I chose the drama Skin Deep.

Skin Deep is a Drama from 2001 that explores the themes of racism, conflict of identity and the difficulty of helping family, This starts by showing a quick introduction of the main character Romo's family history as it turns out he is mixed race with his father being pakistani and his mother white british (he has inherited her white skin), he also has a sister with darker skin closer to their fathers. Unfortunately for Romo he lives in an area that is a deeply racist part of Britain in 1982. The main focus of the piece is Romo hiding his family history in the hope working with deeply racist workers at a garage. The drama is about Romo's decision to hide his ethnicity, the conflict he feels and the fear of discovery.


The drama takes a clear negative view of racism portraying the racists as moronic thugs with no redeemable qualities while at the same time showing all non racists as decent people struggling to cope with discrimination in the area. Although the film does show several scenes of Romo enjoying himself with his new co-workers and shows that he has easily won their respect the ending shows that this is tearing romo apart even causing him to self harm with little to no attempt to stop. This is clearly the intention of filmmaker Yousaf Ali Khan as someone who is not of white british heritage he would most likely find this topic easy to identify with and pick a clear side. It is clear that Yousaf succeeded in getting his point across as I find it difficult to believe anyone with a basic understanding of race and racism would not understand his intention.


Personally I did not enjoy the film as although I agree with the principles of the film and sympathies with the protagonist the way the story is told makes me feel very uncomfortable and made me have fear that Romo would be discovered at any moment, Though giving the audience this fear is most likely on purpose, very commendable and clearly a tone that fits in well with the film it did not make me want to keep watching to see if romo was discovered but rather made me want to stop watching or have it suddenly end with everything suddenly being ok, Something that no decent filmmaker would do. I do feel  though that the acting was excellent particularly from Darren Sheppard who played Romo he was able to excellently show us his pain while at the same time convincingly masking it from those around him.  


One element that particularly stood out for me was the way all characters felt well rounded and written as even characters that appeared with little screen time seemed very real with different likes and dislikes to others around them. Another element that stood out for me was the slow reveal that Romo was using racist abuse from his childhood to help prepare himself for hiding his identity as well as being a metaphor for romo's self loathing and hatred of what he has forced himself to become the scared and angry boy he is.

love takes documentary

On the 6th of October we were asked to write a blog report on one of the documentaries we had watched in the creative media seminar I chose the documentary Love Takes.

Love Takes is a documentary from 2003 that interviews people of varying demographics on their opinions on the subject of love. The main focus seems to be how people deal with love, This starts by asking children about love and moving on to increasingly older generations. The questions the interviewees are asked vary from describing what love is to dealing with starting to love someone new at an advanced age. The documentary also focuses more on the emotions and feelings than any kind of physical input of love nor does it focus on etiquette just the feeling one gets.

Overall the documentary seems to take a rather positive attitude to the subject of love as although the documentary deals with themes such as rejection, fear and loss it seems to focus much more on the positive side such as the overall happiness one tends to feel when in love, This is clearly a choice that filmmaker  Jeanie Finlay directly chose as it would be just as easy to make a documentary that solely focused on the good or bad, I would speculate the reason that Finlay chose this slightly more balanced view point was to help the audience relate to the piece more as a piece that was biased for or against love may make the audience feel cynical to the film's one sided viewpoint. When looking at whether Jeanie Finlay has succeeded is documenting people's feelings on the topic of love I feel she has as the piece is both entertaining and informative which in a documentary that seems to be more documenting on love than convincing the viewer of any one opinion then really the filmmaker can not hope to do much more.

I enjoyed the film because as stated before it is easily relatable it does not say anything that the average viewer would disagree with. I also enjoyed seeing different people from different generations talk about their feelings on love which I found their opinions to be easy to understand and believe. The documentary also paced itself well as it always felt like it wasn't rushing things but at the same time also it doesn't feel too slow.  I also enjoyed the children's sometimes humorous responses but was also interested in the more mature responses that people gave as the film went on.

One element that particularly stood out for me was the slowly more serious tone the documentary took as it went on to more mature interviewees as if the film was maturing at the same rate the subject and interviewees were this structure fits in well with the rest of the piece and compliments the simple style the film has, As the parts of the screen that aren't covered by those being interviewed have a red and black background effect that is most likely to keep the audience in mindset of love as red is often synonymous with love. as well as the interesting approach of the film maturing with the subject and interviewees I also found the way that the film would flash up words and sentences that the interviewees had said as if the remind the audience how important these parts of love are something that i feel works well as it is clear to notice but it's intent is subtle.

Thursday, 6 October 2011